Stockhausen – Michael’s Farewell

£9.99

A new spotlight on a 2002 original release, offering an engaging collection of contemporary music for trumpet, live electronics and tape.  Featuring works by Andrew Powell, Roger Smalley, Sim Souster and Karlheinz Stockhausen, this CD brings forth an exciting and varied offering of modern music and sound concepts which have gained renewed popularity in recent years.  Includes Plasmogeny II and The Transistor Radio of St Narcissus which were both featured in the 2019 blockbuster film release of ‘Bolden’, a drama directed by Dan Pritzker, which imagines the compelling, powerful and tragic journey of Buddy Bolden, the unsung American hero who is renowned to have “invented Jazz”.

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Description

An engaging album of contemporary music for trumpet and live electronics.  Featuring works by Andrew Powell, Roger Smalley, Sim Souster and Karlheinz Stockhausen, this CD brings forth an exciting and varied offering of modern music and sound concepts which have gained renewed popularity in recent years.

Originally released in 2002 on the Deux-Elles label, the album has now been transferred to The Wallace Collection label and is being given a fresh new spotlight to promote and share the uniquely immersive music and creative scoring it offers – a style which is gaining a new popularity in more recent years.

Limited Edition – autographed by John Wallace.

Two key works included on the album – Plasmogeny II and The Transistor Radio of St Narcissus were featured in the 2019 blockbuster film release of ‘Bolden’, a drama directed by Dan Pritzker, which imagines the compelling, powerful and tragic journey of Buddy Bolden, the unsung American hero who is renowned to have “invented Jazz”.

The CD includes a 12 page information booklet, offering comprehensive insights to the music (written in English, French and German), the composers and the performers.

Plasmogeny II:
Also available to purchase as an individual downloadable track.

Commissioned by John Wallace and first performed by him and Andrew Powell in May 1999.  The work is  a sister piece to Plasmogeny, (‘the development of an organism from plasma’) written in 1970 for Intermodulation. The tape part uses sounds from many sources, including Wallace’s trumpet electronically modulated: the live electronics enable the sound of the trumpet to be altered, phrases played by the soloist to be repeated, and also enable the soloist to play in harmony (up to 4-part) with himself.

The work is in 3 sections, each of which is twice as fast as, and more melodic and rhythmic than, the preceding section: the first concentrates on the low register of the trumpet, the second is more melodic, alternating between quasi-Miles Davis lyricism and explorations of the harmonic series: the third begins with fast virtuoso exchanges between the soloist and “Kodo” drums on tape, and builds to a climax with a long sustained melody played by the soloist supported by a taped brass chorale of sampled Wallace trumpets over the Kodo drums.

Echo III:
Written for Gordon Webb, who gave the first performance in July 1978.  The trumpeter stands centre-stage.  Everything which is played is recorded and played back twice, at intervals of 5 seconds (from the left loudspeaker) and 10 seconds (from the right loudspeaker).  This technical set-up gives rise to a strict 3-part canon.  The canonic effect is quite clear during the opening evolution of a staccato chromatic scale; less so during the sustained note which follows it.  Here the canonic overlappings focus the ear on gradual changes of timbre, and the movement of sound between the three sound-sources.

The Transistor Radio of St. Narcissus:
Also available to purchase as an individual downloadable track.

Commissioned by John Wallace and premiered by him in 1983.  The idea of the mirror image either in pitch or in time dominates the work, relating to the title which refers to a passage in Thomas Pnchon’s book The Crying of Lot 49, where the heroine is reminded, by the layout of a brand-new housing development (‘San Narcisco’), of her first sight of a printed circuitboard when she once opened up a transistor radio.  The shape of the work reflects the idea of revelation in a process of changing focuses on a journey down through the layers of the sound spectrum.

Michaels-Asbshied (Michael’s Farewell):
Dedicated to the trumpeter Marchus Stockhausen, the composer’s son, this work is the postlude to Thursday from Light.  Premiered at La Scala, Milan in 1981 it involved players performing the work from 2 roof terraces on the La Scala building and 3 balconies around the square.  The work is shaped by each player repeating their own musical pattern (the patterns varying in length from 12-36 seconds) with prearranged pauses between each pattern and stopping at intervals of around 11/2 minutes.  All parts on this recording were played by John Wallace, using over-dubbing, with each part placed in its own echo and at a different point in the stereo sound-stage.

Performers:

  • John Wallace – Trumpet
  • Andrew Powell – Live electronics

Playlist:

  • Plasmogeny IITrumpet, live electronics, tape
    Composer: Andrew Powell
  • Echo IIITrumpet with tape delay
    Composer: Roger Smalley
  • The Tranasistor Radio of St NarcissusFlugelhorn, live electronics
    Composer: Tim Souster
  • Michaels-Abschied (Michael’s Farewell)Five trumpets
    Composer: Karlheinz Stockhausen

Additional information

Weight 300 g
Record Label

Format

Comp/Arranger/Editor

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Artists

Andrew Powell, John Wallace

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